Balazs Kiss
Avatar: Fire and Ash still

Profile · Updated October 2026

Balazs Kiss — CG Supervisor and Lighting Supervisor in high-end VFX

Two decades of lighting shots on Academy Award-winning films at Weta FX, MPC, Framestore and ReDefine / DNEG — and AAA games in Unreal Engine.

Balazs Kiss at Weta Digital

Balazs Kiss is a Hungarian–New Zealand CG Supervisor, Lighting Supervisor and Senior Lighting Technical Director with more than 20 years of credits on Academy Award-winning and nominated feature films and AAA games. He has worked at Weta FX / Weta Digital, ReDefine / DNEG, Framestore and The Moving Picture Company (MPC), and led lighting at A44 Games.

Roles
CG Supervisor · Lighting Supervisor · Senior Lighting TD · Lighting Artist
Studios
Weta FX, ReDefine / DNEG, MPC, Framestore, A44 Games
Experience
20+ years, 29 feature films
Oscar-credited films
4 winners, 7 nominees
Core tools
Katana, Manuka, Maya, RenderMan, Nuke, Unreal Engine
Based in
Switzerland (remote, EU / UK / AU / NZ)

Where cinematography meets pipeline

In visual effects, lighting is where photography, physics and digital assets meet. For more than twenty years Balazs Kiss has shaped that meeting point on some of the most technically ambitious films ever made — from James Cameron's Avatar films and Peter Jackson's King Kong and The Hobbit, to the Planet of the Apes trilogy and the Harry Potter series.

His work spans sequence lighting leadership, multi-site CG supervision, and lighting pipeline optimisation for both offline film rendering and real-time game engines.

Weta FX / Weta Digital, New Zealand

Kiss first joined Weta Digital in Wellington for the Academy Award-winning King Kong in 2005 and returned in 2008 for almost a decade as Lead and Senior Lighting Technical Director, later continuing remotely at Weta FX.

  • Avatar (2009) and Avatar: Fire and Ash (2025) — key sequence lighting in the Manuka and Katana pipeline.
  • The Hobbit trilogy (2012–2014) — Lead and Senior Lighting TD.
  • Dawn and War for the Planet of the Apes — photoreal ape characters under demanding lighting.
  • King Kong (2005) and The Jungle Book (2016) — both Oscar winners for Best Visual Effects.
  • Also: Prometheus, The BFG, The Suicide Squad and Greyhound 2.
The Hobbit: An Unexpected Journey — Weta Digital
The Hobbit: An Unexpected Journey — Weta Digital

CG Supervisor at ReDefine / DNEG

From 2022 to 2023 Kiss was CG Supervisor at ReDefine / DNEG, overseeing CG production on Borderlands and the Ripley series. He managed asset integration between lighting, modelling and texturing, briefed shots across teams in India, Spain, London and Canada, and owned render resource priorities and quality approvals.

War for the Planet of the Apes — Weta Digital
War for the Planet of the Apes — Weta Digital

MPC and Framestore, London

His film career began in 2003 at The Moving Picture Company as a texture artist on Harry Potter and the Prisoner of Azkaban, painting the Whomping Willow before moving into lighting. Credits followed on Kingdom of Heaven and Harry Potter and the Goblet of Fire at MPC, and Superman Returns at Framestore CFC.

Kingdom of Heaven — MPC
Kingdom of Heaven — MPC

Game development and real-time lighting

As Lead Lighting Artist at A44 Games on the AAA action RPG Flintlock: The Siege of Dawn, Kiss built the HDRI asset verification pipeline, LUTs, title-menu and desert-sequence lighting, and light source design in Unreal Engine. His roots are in games: in the late 1990s and early 2000s he created art for CyberBall, HydroJet and Bloody Waters.

Flintlock: The Siege of Dawn — A44 Games
Flintlock: The Siege of Dawn — A44 Games

Recognition

Kiss is a member of the Visual Effects Society and contributed to VES award-winning teams on Harry Potter and the Prisoner of Azkaban and Kingdom of Heaven. Early personal work won the 3D Festival 2000 Digital Hero Award in Denmark and first place in the Animago Award animals category (2003), and he was featured in 3D World magazine's 100th issue.

Note on accuracy: the Academy credits each film's supervising team rather than individual artists, so Kiss holds no personal Oscar. His contribution to these productions was as a Lead and Senior Lighting Technical Director.

  • Oscar winners for Best Visual Effects he contributed lighting to: Avatar, Avatar: Fire and Ash, The Jungle Book, King Kong.
  • Oscar nominees he contributed lighting to: War and Dawn of the Planet of the Apes, The Hobbit: An Unexpected Journey and The Desolation of Smaug, Prometheus, Superman Returns, Harry Potter and the Prisoner of Azkaban.
3D World magazine, issue 100 feature
3D World magazine, issue 100 feature
King Kong
King Kong
Avatar shots department, Weta Digital
Avatar shots department, Weta Digital
Avatar: Fire and Ash
Avatar: Fire and Ash
Full filmography →CV & awardsIMDbArtStationLinkedIn