(click on the movie posters bellow to see selected images)

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20th Century Fox - 2009

Director: James Cameron

Visual Effects company:     Weta Digital Ltd.

Job Title:                        Senior Lighting Technical Director

The Day the Earth Stood Still

20th Century Fox - 2008

Director: Scott Derrickson

Visual Effects company:     Weta Digital Ltd.

Job Title:                        Senior Lighting Technical Director

I was working on the sphere landing sequence and also responsible for the

lighting of many Gort shots in the "Flash Chamber" and the "Boxing Gort"

sequences..

Chronicles of Narnia: Prince Caspian

Warner Brothers - 2008

Director: Andrew Adamson

Visual Effects company:     The Moving Picture Company

Job Title:                        Senior Lighting Technical Director

I was senior lighting TD of around 12 shots of the cistern sequence.

(The sequence where Caspian and his army rides through a cistern destroying

rock columns on their way out.)

10,000 B.C.

Warner Brothers - 2008

Director: Roland Emmerich

Visual Effects company:     The Moving Picture Company

Job Title:                        Sequence Lead Lighting Technical Director

I was sequence lead lighting TD of the 130 shot-long

"Mammoth hunt" sequence.

Superman Returns

Warner Brothers - 2006

Director: Brian Singer

Visual Effects company:     Framestore-CFC

Job Title:                        Lighting Technical Director

I was  responsible for the lighting and rendering of a handful

of shots in the climax of the movie. Loads of cg water and

growing crystals were involved.

King Kong

Universal Pictures - 2005

Director: Peter Jackson

Visual Effects company:     Weta Digital Ltd.

Job Title:                        Lighting Technical Director

I was responsible for the lighting and rendering of many airplane

and Kong shots in the New York sequence and was working on the

ice pond sequence as well.

Harry Potter and the Goblet of Fire

Warner Brothers - 2005

Director: Mike Newell

Visual Effects company:     The Moving Picture Company

Job Title:                        Lighting Technical Director

I was responsible for the lighting and rendering of complex maze

establisher, and maze close up shots.

Kingdom Of Heaven

20th Century Fox - 2005

Director: Sir Ridley Scott

Visual Effects company:     The Moving Picture Company

Job Title:                        Lighting Technical Director

I was responsible for the lighting and rendering of many complex Jerusalem

siege shots, Christian and Saracen army formation shots. Painted textures for

the Dome of the Rock and additional buildings of Jerusalem.

Charlie and the Chocolate Factory

Warner Brothers - 2005

Director: Tim Burton

Visual Effects company:     The Moving Picture Company

Job Title:                        Digital Texture Artist

Painted textures for Violet's, her Mum's and Charlie's digital doubles.       

Alien vs. Predator

20th Century Fox - 2004

Director: Paul Ws. Anderson

Visual Effects company:     The Moving Picture Company

Job Title:                        Digital Texture Artist

Painted textures for the digital Alien, Grid Alien and for the Standard,

Nuke Damaged and Battle Damaged Queen Alien, participated in the

look development.

Harry Potter and the Prisoner of Azkaban

Warner Brothers - 2004

Director: Alfonso Cuaron

Visual Effects company:     The Moving Picture Company

Job Title:                        Digital Texture Artist

                                    Lighting Technical Director

I was working on the lighting and rendering of complex full cg shots, created lighting

rigs for matching lighting in live action plates. Responsible for the final look of the

Whomping Willow and the final settings of the Willow shader. Painted textures for

the Whomping Willow, for Harry’s and Hermione’s digital doubles and for digital

environment.

A Hidember - The Bridgeman

Mokep - 2002

Director: Geza Beremenyi

Visual Effects company:     Post Edison

Job Title:                        Visual Effects Artist

Animated the FilmArt logo. Painted textures for the digital crowd.